Fundamentals of anthropomotorics and stage presence techniques in percussion performance Akademia Muzyczna w Krakowie 15 28 July 2012 The Erasmus Intensive Course Fundamentals of anthropomotorics and
stage presence techniques in percussion performance involved teachers and students of four different countries .... Prof. Jan Pilch with Amadrums percussion group from Akademia Muzyczna w Krakowie Prof. Massimo Pastore with percussion group from Conservatorio Statale di Musica Cesare Pollini Padova
Prof. Manel Ramada Prof. Bernhard Wulff with percussion group with percussion group from Conservatorio Superior de Musica from Hochschule fr Musik Freiburg Joaquin Rodrigo de Valencia and specialists from different fields and areas Prof. Jan Peszek
from Pastwowa Wysza Szkoa Teatralna im. Ludwika Solskiego State Drama School in Krakow Dr Wanda Forczek from Akademia Wychowania Fizycznego im. Bronisawa Czecha University School of Physical Education in Krakow Dr Andrzej Biegun from Akademia Muzyczna w Krakowie Academy of Music in Krakow
Mgr Szczepan Wiecha from Akademia Wychowania Fizycznego im.Bronisawa Czecha University School of Physical Education in Krakow Mgr Iwona Olszowska from Pastwowa Wysza Szkoa Teatralna im. Ludwika Solskiego State Drama School in Krakow In 2 full immersion weeks different kinds of activities took place ...
lectures and seminars workshops one-to-one classes and self-study followed by consultations with teachers and experts The students attended some theoretical classes: Physiological aspects of playing the drum instruments Anthropomotorics problems in percussion performance
Biomechanics Percussion repertoire analyzing: challenges of interpretation Movement vs sound My vision of percussion ensemble - repertoire - musicians predispositions And practical ones Stage movement Instrumental theatre Acting workshop Voice impostation
Chamber percussion ensembles working with conductor, interpretation, i mprovement of articulation and dynamics aspects Acting workshop Percussion ensemble improvisation - use of movement, voice, body, instruments Expression on percussion Many activities have been focused on body Which parts of muscular system and skeleton are involved in playing? How the brain is connected with the muscle structure while performing?
Which is the correct drumming posture? How to develop muscle memory? How to use body in a consciuous and expressive way while performing? The analysed repertoire focused on masterpieces of the XX cent. One of these was Varese Ionization
Ionisation changed the handling of percussion instruments and without this visionary impulse later compositions such as by Cage, Stockausen, Boulez, Nono, Xenakis are not possible (prof. Wulf lecture, 24/07) Also percussion tradition from outside Europe was considered.. Rhythmical Indian Cycles Indonesian Kecak from Bali island The family of percussion instruments is a worldwide network and it is easy
for percussionist to communicate (prof. Wulf lecture, 24/07) Teachers and students was involved in evaluation concerts Opening concert J. Stasak, 6 eleciac dances J. Torres, Proteus G. Apergis, Le corps a corps D. Lang, The so called laws of the nature
P. Lansky, Threads T. De May, Table Music Guests concert T. Arboledas, El Amante S. Reich, Drumming, part 1 J. Tenney, Crystal canon for Edgar Varese G. Bonato, Rota
D.Y. Yanovski, Memorial S. Bellon, Floating rocks B. Wulff, Lerche E. Gioachin, Metal-mente Mayumana, Music for table I.Lesnick, Chamade Suite C. Deane, Vespertine formations Final concert
N.A. Huber, Clash music G. Wenjing, Drama E. Varese, Ionisation M. Kagel, Pas de Cinque A. Nishimura, Ketiak B. L. Andriessen Workers Union You can find us at www.amuz.krakow.pl
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